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Non-exhaustive alphabetical list of references about Crystallography in Art and Cultural Heritage

  • Abas S.J., Salman A.S.Symmetries of Islamic Geometrical Patterns, 1995.
  • Abas, S. J. Islamic geometrical patterns for the teaching of mathematics of symmetry Symmetry: Culture and Science, Vol. 12, Nos. 1-2, 53-65, 2001 2001
  • Abas, S. J. and Salman, A. S. Geometric and group-theoretic methods for computer graphics studies of Islamic symmetric patterns Computer Graphics Forum 11, 1, 43-53. 1992
  • Abbott, A. and Rutherford, A. (2005) Artists on science: scientists on art. Nature 434, 293. Editors of a special supplement pp.293-323.
  • Al Faruqi andal The Arts, and Ornamentation in Islamic Arts, Book, MacMillan, New York. 1986
  • Aljamali, A. M. and Banissi, E. Grid Method Classification of Islamic Geometric Patterns WSCG SHORT PAPERS proceedings WSCG, February 3-7, Plzen, Czech Republic.Copyright Union Agency Science Press 2003
  • Amiraslan I.Azerbaijani Tesselations. (2006) and From Tessellations to Nano-Art (2008).
  • Arletti R., Vezzalini G., Quartieri S., Ferrari D., Merlini M., and Cotte M. Polychrome etruscan glass: First non destructive characterisation with synchrotron μXRF, μXANES and XRPD. Applied Physics A (2008).
  • Arletti, R., Cartechini, L., Giovannini, S., Rinaldi, R., Kockelmann, W., Cardarelli, A., Neutron diffraction study of Bronze Age tools from second millennium BC dwellings in Italy, Nuovo Cimento C., 30, 11
  • Atiyah, M. and Sutcliffe, P. (2003) Polyhedra in physics, chemistry and geometry. Milan J.Math. 71, 33-58.
  • Bagheri M., Hogendijk J., Kruk R.Geometric Patterns in Islamic Art, Lorentz Center, workshop, Leiden 2006.
  • Barlow, W. (1897) A mechanical cause of homogeneity of structure and symmetry geometrically investigated; with special application to crystals and to chemical combination. Proc. Phys. Soc. London 16 54-58
  • Berczi S. Computers Math. Applic. 1989
  • Bernal, J.D. (1937) Art and the scientist, in Circle - International Survey of Constructive Art. Eds L.Martin, B.Nicholson and N.Gabo. Faber & Faber, London; reprinted 1971. pp.119-128.
  • Bernal, J.D. (1967) Symmetry and the genesis of form. J.Mol.Biol. 24, 379-390.
  • Biederman, C.J. (1948) Art as the evolution of visual knowledge. Redwing, Minnesota, USA. Pp.571-595.
  • Bier, C Textile Arts of Safavid and Qajar Iran (16th-19th Cent) The Textile Museum, Washington, 97-106. 1987
  • Black, S. (2005) Domesticating the crystal: Sir Lawrence Bragg and the aesthetics of 'X-ray analysis. Configurations 13, 257-282.
  • Blundell, T.L. (1981) Symmetry, stability and motion in molecular biology and in the visual arts. Leonardo 14, 311-313.
  • Bool, F. H., Kist, J. R., Locher, J. L. and Wierda, F. M. C. Escher: His Life and Complete Graphic Work. Harry N. Abrams, Inc. 1992
  • Bonner J., Three Traditions of Self-Similarity in Fourteenth and Fifteenth Century Islamic Geometric Ornament, ISAMA/Bridges 2003 Conference Proceedings, Granada 2003.
  • Bourgoin J.Arabic Geometrical Pattern and Design, 1973 (original ed.Les elements de l'Art Arabe, Firmin-Didot, Paris, 1879).
  • Broug, Eric Islamic Geometric Patterns. New York 2008
  • Brown A. inJ.D. Bernal: The Sage of Science, 2005.
  • Burke, J.G. (1966) Origins of the science of crystals. University of California Press, Berkeley, USA.
  • Campbell P.J.The geometry of decoration on prehistoric Pueblo pottery from Starkweather ruin. Computers Math. Applic., 1989.
  • Castera J.M. in Arabesques, ACR editions, Paris 1999.
  • Castera, J. M. Arabesque: Decorative Arts in Morocco; Arc Edition pp. 276-277. 1999
  • Castera J.M. Play with infinity, ISAMA/Bridges 2003 Conference Proceedings, Granada 2003.
  • Castera J.M., Makovicky E., Matsumoto T., Benatia J. MathCryst Satellite Meeting The Enchanting Crystallography of Moroccan ornaments, ECM 2007. > pdf
  • Chorbachi W.K.In the Tower of Babel: beyond symmetry in Islamic design. Computers Math. Applic., 1989.
  • Coxeter H.M.S.Introduction to geometry, 1969.
  • Coxeter H.M.S., Emmer M., Penrose R., and Teuber M.L.M.C. Escher: Art and Science, North Holland 1986.
  • Critchlow, K Islamic Patterns. Schocken Books, New York. 1976
  • Critchlow, K Islamic Patterns: An Analytical and Cosmological Approach. Thames and Hudson, 1976
  • Crowe D.W.The geometry of African art. Part 1. Bakuba art, Journal of Geometry, 1971.
  • Crowe D.W. and Washburn D.K. Geometrical, Perceptual, and Cultural Perspectives on Figure/Ground Differences in Bakuba Pattern. 2006.
  • Dewdney, A.K. The Tinkertoy Computer and Other Machinations W.H. freeman, pages 222-230. 1993
  • Dezarnaud Dandine C., Sevin A.Histoires de Symetries, 2007.
  • Dooryhee E., Anne M., Hodeau J.L., Martinetto P., Walter P. et al. Appl. Phys. A 2005
  • Dooryhee E.Crystallography in Art & Archaeology. European Crystallography Meeting, Marrakech 2007.
  • Ecochar M.Filiation des monuments grecs, bysantins et islamiques, une question de geometrie, P.Geuthner, Paris 1978.
  • El-Said, I. Islamic Art and Architecture: The System of Geometric Design. Grant Publishing Limited, UK. 1993
  • El-Said, I.and Parman, A. Geometrical Concepts in Islamic Art World of Islam Festival. Publ. Co. London, 1976
  • Erbak, M., Anatolian Motifs, from Çatalhöyük to the present. GESAV, Traditional Turkish Handicrafts Research Foundation, without date
  • Escher M.C. IUCr Cambridge 1960
  • Escher, M.C. (1960) Antisymmetrical arrangements in the plane, and regular 3-dimensional bodies as sources of inspiration to an artist. Acta Cryst. 13, 1083-1083
  • Farmer, D.W. Groups and Symmetry. A Guide to Discovering Mathematics. American Mathematical Society, 1996 (in particular Chapter 8, Symmetry in the Real World)
  • Forgan, S. (1998) Festivals of science and the two cultures: science, design and display in the Festival of Britain, 1951. Brit.J.Hist.Sci. 31, 217-240
  • Glasser L.Teaching Symmetry: the use of decorations. J. of Chem. Education, 1967.
  • Gombrich, E.H. The Sense of Order: A Study in the Psychology of Decorative Art Cornell University Press, Ithaca. 1979
  • Grandünbaum, B. and Shephard, G. C. Tilings and Patterns. W. H. Freeman. 1987
  • Grandünbaum, B. and Shephard, G. C. Interlace patterns in Islamic and Moorish art. Leonardo, 25, 331-339, 1992
  • Grandübaum B.and Shephard, G.C.Patterns in Islamic and Moorish art Leonardo , 25:331-339, 1992
  • Grandünbaum, B., Grandünbaum, Z., Shephard G.C.Symmetry in Moorish and Other Ornaments. Comp. and Maths. with Appli. 1986
  • Gunn, C. Discrete groups and visualization of three-dimensional manifolds. Proceed of SIGGRAPH'93. ACM, N. Y., 255-262. 1993
  • Haake A., Winotosastro H. Comp. Math. Applic. 1989
  • Haake, A. (1989) The role of symmetry in Javanese batik patterns. Computers Maths.Applic. 17, 815-826.
  • Haake, A. (2002) XX-Tex - textiles and crystallography. In Symmetry2000, Proceedings of a symposium held at the Wenner-Gren Centre, Stockholm. Hargittai, I. and Laurent, T.C. eds. Portland Press, London. pp.223-230
  • Hankin, E. H. The Drawing of Geometric Patterns Saracenic Art, volume 15 of Memoirs of the Archaeological Society of India. Government of India 1925
  • Hankin, E. H. Examples of methods of drawing geometrical arabesque patterns. The Mathematical Gazette, Vol 12, No. 176, pages 370-373, 1925
  • Hankin, E. H. Some difficult Saracenic designs II The Mathematical Gazette, pages 165-168, 1934
  • Hankin, E. H. Some difficult Saracenic designs III The Mathematical Gazette, pages 318-319, 1936
  • Hankin, E.H., Some Difficult Saracenic Designs Pattern Containing Fifteen Rayed Stars The Mathematical Gazette, Vol. 18, 165-168, 1934, and 20, 318-319 1936
  • Hargittai, I. ed.Symmetry: Unifying Human Understanding. Pergamon, New York 1986 and 1989.
  • Hargittai I., Hargittai M.Symmetry: a Unifying Concept, 1996
  • Hargittai M.Symmetry, Crystallography, and Art. International School of Molecular and Structural Archaeology, 2006.
  • Hargittai M., Hargittai I.Symmetry throuugh the Eyes of a Chemist, Springer, 3rd Edition, 2009
  • Hargittai M., Hargittai I.Visual Symmetry, World Scientific, 2009
  • Hargittai I. and Laurent, T.C. (2002) Symmetry2000: Proceedings of a symposium held at the Wenner-Gren Centre, Stockholm. Portland Press, London.
  • Hofstadter, D. Metamagical Themas: Questing for the Essence of Mind and Pattern. Bantam Books. 1986
  • Irving, W. The Alhambra. Macmillan and Co. 1931
  • Jablan S.V.Theory of Symmetry and Ornament, Belgrade, 1996.
  • Jackson, L. From Atoms to Patterns. Crystal structure designs from the 1951 Festival of Britain. Richard Dennis, 2008
  • Joyce, D. E. The 17 plane symmetry groups Clark university, Worcester, MA 01610, 1997
  • Justema, W. Pattern: A Historical Panorama. New York Graphic Society, Boston. 1976
  • Kaplan, C. Computer Graphics and Geometric Ornamental Design. Ph.D. University of Washington, Seattle, pp. 67-90, 2002
  • Kaplan, C. S. Computer generated islamic star patterns Reza Sarhangi, editor, Bridges 2000
  • Kaplan, C. S. and HART, G. W. Symmetrohedra: Polyhedra from symmetric placement of regular polygons Bridge 2001 Proceedings, R. Sarhangi, Ed. 2001
  • Kaplan, C. S. and Salesin, D. H. Escherization In Proceedings of the 27th Annual Conference on Computer Graphics and Interactive Techniques (SIGGRAPH 2000). ACM, New York, 499-510. 2000
  • Kaplan, C. S. and Salesin, D. H. Islamic star patterns in absolute geometry. ACM Trans. Graph., 23(2), 97-119 2004
  • Kemp M.Visualizations: the nature book of Art and Science, 2000.
  • Kemp M., IUCr 2005.
  • Lander, E.S. Symmetric design: an algebraic approach. Cambridge University Press, 1983.
  • Lee, A.J. Islamic star patterns. Muqarnas, 4, 182-197 1987.
  • Y. Liu, R.T. Collins and Y.Tsin A Computational Model for Periodic Pattern Perception Based on Frieze and Wallpaper Groups IEEE TRansactions on pattern analysis and machine intelligence, Vol. 26, NO. 3, 2004
  • Locher J.L. et al.M.C. Escher: his life and complete graphic work, 1982.
  • Lu P., Steinhardt P.Decagonal and quasi-crystalline tilings in medieval Islamic architecture. Science 2007.
  • MacGillavry C.H.Symmetry Aspects of M.C. Escher's Periodic Drawings. IUCr Utrecht 1965.
  • Makovicky E.800 year-old pentagonal tiling from Maragha, Iranin 5-fold Symmetry. Ed. I. Hargittai 1992.
  • Makovicky E. and P. Fenoll Hach-Ali Mirador de Lindaraja:Islamic ornamental patterns based on quasi-periodic octagonal lattices in Alhambra, Granada, and Alcazar, Sevilla, Spain. Boletin de la Sociedad Espanola de Mineralogia 19 (1996) 1-26.
  • Makovicky E., Fenoll Hach-Ali P.Symmetry, structural analysis and classification of 1-2D ornaments. Boletin Soc. Espanola de Mineralogia,1997.
  • Makovicky E., F. Rull-Perez and P. Fenoll Hach-AliDecagonal patterns in the Islamic ornamental art of Spain and Morocco. Bol.Soc. Esp. Min. 21 (1998) 107-127.
  • Makovicky E.Ornamental diamond patterns in aboriginal bark paintings from N.E. Arnhem Land, Australia. Records of the South Australian Museum, 36 (2003) 1-20
  • Makovicky E. Comment onDecagonal and quasi-crystalline tilings in Medieval Islamic architecture. Science, 318 (2007).
  • Mamedov K.S.Crystallographic patterns. Comp. Maths with Appli. 1986.
  • Martinetto P., Anne M., Dooryhee E., Walter P. N.I.M. B 2001
  • Martinetto P., Anne M., Dooryhee E. et al. Ab initio powder structure solution of "lead white" 2PbCO3Pb(OH)2 Acta Cryst. 2002
  • McGill, T. (2007) Design under the microscope. Decorative Arts Soc.J. 31, 92-115.
  • Meyer E.Art in Crystallography, IUCr Florence 2005.
  • Montesquieu Of the Pleasures of Symmetry from an Essay upon Taste, in subjects of Nature and of Art, 1728.
  • Necipoglu G. and Al-Asad M. The Topkapi Scroll Geometry and Ornament in Islamic Architecture, Getty Research Institute. 1995
  • Ostromoukhov, V. Mathematical tools for computer-generated ornamental patterns. Electronic Publishing, Artistic Imaging and Digital Typography, number 1375. Lecture Notes in Computer Science, pages 193-223. Springer-Verlag 1998
  • Ozdural, A. Mathematics and Arts: Connections between Theory and Practice in the Medieval Islamic World Historia Mathematica, 27, 171-201. 2000
  • Pawley, G S (1961) Coloured polyhedra. Acta Cryst. 14, 319-320
  • Pawley, G S (1962) Plane groups on polyhedra. Acta Cryst. 15, 49-53
  • Regensteinir, E. Geometric Design in Weaving. Schiffer Publi Ltd., West Chester, Pennsylvania. 1986
  • Schattschneider, D. The Plane Symmetry Groups, Their Recognition and Notation American Mathematical Monthly, 85, 439-450 1978
  • Schattschneider D.Visions of Symmetry, Note Books, Periodic Drawings and related Works of M.C. Escher, 1990.
  • Shubnikov A.V., Belov N.V. et al.Coloured Symmetry, MacMillan, 1964.
  • Shubnikov A.V, Kopstik V.A.Symmetry in Science and Art, Plenum Press, NY 1974.
  • Thomas, M.H. (1951) Festival Pattern Group. Design May-June 1951, 12-25.
  • Thomas, M.H. (1951) The Souvenir Book of Crystals Designs. COID/HMSO, London
  • Thompson, D'A.W.(1992) On Growth and Form. Abridged ed., edited by J.T.Bonner. Cambridge University Press, Cambridge.
  • Thurgood, G. (1971) On the artist and science. Leonardo 4, 117-124
  • Topper, D.R. amp Holloway, J.H. (1985) Interrelationships of the arts, sciences and technology: a bibliographic update. Leonardo 18, 197-200. updated at www.leonardo.info/isast/spec.projects/artsciencebib.html
  • Toth N. Symmetry: Culture and Science,The prehistoric roots of a human concept of symmetry. 1990.
  • Ungar T., Martinetto P., Ribarik G., Dooryhee E., Walter P. J. App. Phys. 2002
  • Walker, T. and Padwick, R.1977 Pattern: Its Structure and Geometry. Sunderland Arts Centre. Wilson, Eva slamic Designs. British Museum Publications, London. 1988
  • Washburn D.K.Perceptual Anthropology: the Cultural Salience of Symmetry. American Anthropologist, 1977.
  • Washburn D.K. and Crowe D.W. Symmetries of Culture: Theory and Practice of Plane Pattern Analysis, 1988.
  • Weyl H.Symmetry, Princeton Univ. Press 1952.
  • Woods, H.J. The Geometrical Basis of Pattern Design, The Journal of the Textile Institute Transactions, 26, 197-210; 293-308; 341-357, 1935.
  • Zaslov B. et al.Pattern mathematics and archaeology, Anthropolog. Res. 1977.

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